Tag Archives: Dale

The Walking Dead Season 2 (so far)


The second season of AMC’s adaptation of The Walking Dead is taking a break until February 2011 (most likely coinciding with the return of Mad Men) and for the first time since the very first two episodes I’m excited. It only took seven or more episodes for The Walking Dead to actually get decent again, especially after the horribly embarrassing season one finale. I’m willing to suspend my belief and go along for a fantastic ride on most occasions (after all, we’re dealing with corpses rising and eating the living here) but believing the CDC is a time sensitive, thermonuclear device is ludicrous. Please, prove me wrong.
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Authenticity in Post-Apocalyptic Visions: The Road and The Walking Dead

Man: “How would you know you’re the last man alive?”

Eli: “I guess you wouldn’t know it, you’d just be it.”

I’m watching The Road again. I saw it in the theater and was devastated; it’s a very grim movie, bleak in every way. In contrast to last night’s Walking Dead finale, The Road is great. Where Frank Darabont’s post-apocalyptic zombie series falls short, The Road is truly terrifying. Every moment is horrendous, imparting a gamut of emotions instantaneously. After last night’s disappointing Walking Dead episode, watching this film again reminds me of how powerful the post-apocalyptic genre can be.
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The Walking Dead episode 6

Episode 6: “TS-19”

The CDC isn’t a fire burning time bomb. Also, just ducking when a building blows up doesn’t really do anything, especially when the bomb is a pseudo-nuclear weapon. Am I willing to suspend my disbelief and go for an entertaining ride? Yes. However, I don’t enjoy visual media blurring the line while demanding empathy, riding melodrama into cheap sentimentality. The season finale of AMC’s The Walking Dead did just that. That doesn’t mean there weren’t great moments or that I didn’t enjoy the episode, but I understand why writers were fired.
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The Walking Dead episode 5

Episode 5: Wildfire

So I’m going to start my essay about episode 5 with a minor rant. I hope this doesn’t detract my piece, but, as a reader of the Walking Dead comics, I feel it necessary. The show is riffing along a different tangent at this point, taking elements from the comics, shaping them into a different beast altogether. This isn’t a bad thing. For a devoted reader it gives suspense. Nothing is predestined at this point and anything’s possible. Am I one of those people who dislike when liberties are taken with a quality text? Yes. Do I condone and even enjoy when liberties are taken? Yes. It’s not how unfaithful an adaptation is, it’s when the integrity of feeling of the original source disappears, like Robocop 2 or 3 being devoid of Paul Verhoeven’s dark brand of social comedy. A faithful representation isn’t important; it’s capturing what the original manuscript imparts. Any adaptation demonstrating this sentiment seems valid.
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